Alternative
Theories of Art
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Theory |
Main Thesis |
Remarks |
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Representation |
The
function of a work of art is to represent portions of reality. Art
should be nonfictional. |
·
Subordinates art to history and survey science. · Works best for the visual arts. Literary works have representational potential; musical works almost none. · Favors stylistic realism. Doesn't account for the appeal of impressionistic and expressionistic works. · This function has been largely assumed by photography. |
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Illustration |
The function of a work of art is to illustrate things like religious teachings. |
· Makes art an adjunct to other endeavors. · Early works of art were created for primitive religious ceremonies; later works of art were commissioned to illustrate religious texts. |
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Edification and Persuasion |
The function of a work of art is to edify and persuade the perceiver. |
· Regards art as pedagogic tool and propaganda tool. · Favors fables and moralistic dramas. · Doesn't account for (instrumental) music. · Was advanced by Plato. |
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Embodiment of Beauty |
The function of a work of art is to embody beauty. |
· Favors harmony over dissonance in art. · Favors uplifting themes over depressing or disconcerting ones and nobility over commonness or degradation. · Disparages dissonant music and visual and literary works with unpleasant themes. |
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Catharsis Induction |
The function of a work of art is to induce a catharsis in the perceiver. |
· Is based on a tension-resolution paradigm. · Applies best to dramatic music and longer, dramatic and melodramatic literary, stage, and film works. |
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Self-expression |
The function of a work of art is to express the emotions and/or thoughts of the artist. |
· Confuses a possible function of a work of art for an artist (the producer) with the function of a work of art for the perceiver (the consumer). · Regards art as psychological therapy for artists. · Makes art judgments dependent on knowledge about the artist. |
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Emotional Evocation |
The function of a work of art is to evoke intended emotions in the perceiver. |
· Is broader than the Catharsis Induction theory. · Doesn't allow that art might appeal more to the intellect than emotions. |
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Emotional Expression |
The function of a work of art is to express emotions. |
· The emotions expressed need not be evoked in the perceiver. · Allows that works of art may resemble emotional outbursts. |
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Emotional Formulation and Representation |
The function of a work of art is to formulate and represent emotions. |
· Asserts that the function of art is not to induce emotions or express them but to formulate them. · Claims that works of art are for intellectual appreciation. · Was proposed by Susanne K. Langer. |
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Meaning-world |
The function of a work of art is to convey artistic meaning, a special sort of meaning, by embodying a meaning-world. |
· A meaning-world is a special plexus of ideas. · Regards art as contributing to a rich mental life. · Is a recent theory proposed by Ralf J. Long. |
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